Sunday, 6 May 2012
Tuesday, 1 May 2012
Burnt Offerings (Anita Blake Vampire Hunter)
When the vampire Master of St Louis starts an affair with the city's most notorious necromancer and executioner of vampires, it was bound to cause comment.
Anita Blake finds out, in Burnt Offerings, that there is something even her lover Jean-Claude fears--and that is the Council, the body of old and magically powerful vampires who decide policy and can condemn those who question their authority to a lingering undeath of supernatural torture. Among their servants is Jean-Claude's ex Asher, who blames him for his disfigurement at the hands of the Inquisition and for the death of the woman they both loved--and Asher has a perfect vengeance in mind.
As Laurel K. Hamilton's Anita Blake series proceeds, Anita becomes ever more powerful in her magics and her capacity to control supernatural entities; she also becomes ever more sexually magnetic, and the books more erotic, as she learns to cope with life as boss of a pack of were-leopards with a taste for SM and snuggling. And as the books proceed, the stakes get higher and higher--Laurell K. Hamilton does a nice line in sheer terror, whether fear of decay or fear of the preternaturally hot fire a pyrokineticist can throw at those who offend him. --Roz Kaveney
The Killing Dance (Anita Blake, Vampire Hunter)
Even vampires get ill. In the sixth outing of Laurell K. Hamilton's Anita Blake, The Killing Dance, Anita's occasional boyfriend Jean-Claude, vampire Master of St. Louis, is asked to help another Master who is rotting where he stands. Anita's necromantic powers may be enough to help Sabin, in conjunction with those of Jean-Claude and of Richard, the werewolf whom she is thinking of marrying. Anita, though, has problems of her own--there is a contract out on her life and the politics of the city's were-beings are even more complicated than those of its vampires. Richard has refused to take leadership of the city's werewolf pack, because he refuses to kill its current Alpha; just by existing and having defeated them in combat, he is a threat to the authority of Max and Raina, the wolves' current rulers. And it makes things worse that he is trusted by the wererats, say, and the various independent were-creatures.
Laurell K Hamilton's background in animal ethnology adds a lot to the mix in this book; Anita has to do some long hard thinking about what it means to be in love with a man who changes to wolf. --Roz Kaveney
Thief's Gamble: The First Tale of Einarinn
One of the problems those not already besotted fans have with genre heroic fantasy is the real vagueness of its settings. One answer to this is to slot it somehow into real time--another, more interesting one is to provide the imagined world with a past of its own. McKenna does this less through the provision of endless chronologies and king-lists than through her characters' sense of what has been lost--her magicians, scholars and thieves are all aware of how little they know of the past and how much there is to find out. All the chasing around, sword fighting and hair-breadth escapes of the plot relate closely to the quest for knowledge, for understanding of the strange dreams that come to scholars who own ancient artefacts. Livak starts off supplementing her income from gambling with a little judicious burglary of the sort of thing she knows scholars are buying; she finds herself first blackmailed, and then more willingly recruited, into a cause which comes to be her own. And who are the mysterious blonde thugs who dog our heroes at every turn? McKenna's debut has areas of clumsiness, but real charm and excitement to overcome them.
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